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I'm in buffet mode, just sampling and putting Post-Its on the ones I want to revisit later and play up to a fast bebop tempo. Lately, I've been going through the lines in Rodney Jones' book Hip Guitar Lines, which has been discussed very recently on a couple of thread. Lately we've been talking about ieso's key observation that if you just secure the pick properly, the pick won't drag. I didn't think about that back then, so it took quite some time to find possible solutions, evaluate, and go with something. Nowadays, your favorite shred guitar YTers love to talk about pick slant, pick angle, etc. Next, solving the problem if the pick dragging on the strings. When I first learned to play, the biggest struggle was the same as everyone else - getting the picking hand in sync with the fretting hand. I've learned to break down what I want to do into smaller chunks, like how I hold my pick, do I start with an upstroke, a downstroke, or one of my fingers (if using hybrid picking), my placement of my fretting fingers, the rhythm in the sense of what notes should be held for more time than other and where I should pause and for how long looking out for either wrist tightening up and so on. I've heard some of Javier's solo stuff and the few times he plays lead, it's understated and just part of the composition It's not that he's "slow" - it's just that he doesn't sound like a player who is out to push the limits of virtuosity in lead playing like Tosin, who I also respect btw.Īs far as learning to play something at a particular speed, I don't really feel like i'm "struggling", in the sense of feeling overly impatient and frustrated. If I were working primarily in metal, I'd aim to be more like Javier Reyes than his bandmate Tosin Abasi. But this doesn't just happen, Just like I can do a pushup, but I can't do 100 pushups right now. I think one of the differences is that these guys have not only great touch (perfect bends of all kinds, great vibrato, and a really excellent sense of rhythm and time. But what these guys are doing impresses me as being great.
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But they are making it up as they go along, and THAT kind of shredding gets old. I have also been in jams with "shredders" who play pretty much the same scales as I would play, but they play them much faster because that is all they work at. It works because it shows their really hard work paid off.ĭo you have to do this to be considered a good guitar player? No, not at all.īut most players who play like this are considered really good guitar players - way better than me, and I have a fair number of people who think I am pretty good. Obviously, they have memorized all of these solos note for note - and that is cool IMO. These guys know their scales, and they practice finger dexterity like crazy. They use all kinds of melodic tricks chromatic riffs, harmonic minor scales mixed in with pentatonic. but the parts are composed precisely to fit in with the chord changes.
CHORDS TAB NOTES FOR BARNEY KESSEL PETE TOWNSEND HOW TO
If you know how to watch a player and figure what he is playing you can see these guys are using the same scales we all know.
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Do these guys know how to shred? Absolutely.Īre they playing anything that is beyond the comprehension of a good lead guitar player?